Mary did you know?

“Madonna of the dispossessed” by Mary C Farrenkopf

“Madonna of the dispossessed” by Mary C Farrenkopf

Thursday, December 6, 2018

Mary did you know that your baby boy would one day walk on water?

Mary did you know that your baby boy would save our sons and daughters?

Did you know that your baby boy has come to make you new?

This child that you've delivered, will soon deliver you

Mary did you know that your baby boy is Lord of all creation?

Mary did you know that your baby boy would one day rule the nations?

Did you know that your baby boy is heaven's perfect lamb?

That sleeping child you're holding is the great I am

Mary did you know? Mary did you know? Mary did you know? —Mark Lowry

"See what great love the Father has lavished on us, that we should be called children of God! And that is what we are!" 1 John 3:1a

Whenever I hear this song, tears spring to my eyes. Can you imagine the immediate reaction of a single, adolescent girl being told that she is pregnant, and that she is carrying the savior of the world? In today’s world, that means lots of counseling, possible termination of the pregnancy and a very questionable reaction from her family. In her day? I doubt anyone can truly appreciate the terror she must have experienced. And Joseph, what about his reaction?

There is no explaining who he chooses to carry out his wishes. God has all kinds of gifts for us, some presented as outright blessings, others hidden in challenges and hurtful losses. Our attitudes determine how we deal with and understand these life events. When facing a seemingly insurmountable obstacle, one can succumb to despair or can depend on our Lord’s faith in us and find a way to turn it around to a crowning achievement.

No matter what the challenge or the blessing, we can only hope to face them and appreciate them with the strength Mary was able to manifest. We all need to strive to make God proud of us in our daily lives, through our thoughts and our actions.

Click here to listen.

Prayer: Lord, please keep our eyes open and give us the strength and perceptions to see the gifts you have provided. Let us have the courage to overcome and grow in your love through the challenges, large and small, that you send our way. Let us know that we all have the power to make the world a much better place through our faith in your ultimate sacrifice. Amen.

—Andree Tyagi

Lo, how a rose e’er blooming

Wednesday, December 5, 2018

Lo, how a rose e'er blooming, From tender stem hath sprung. Of Jesse's lineage coming,

As men of old have sung;

It came, a flow'ret bright,

Amid the cold of winter,

When half spent was the night.” —Anonymous, 15th Century

“A shoot will come up from the stump of Jesse; from his roots a Branch will bear fruit.” Isaiah 11:1

As a musician, “Lo, How a Rose,” is always so satisfying to play or sing. It’s all about the chords, really. I’ve likely heard hundreds of versions by now, and yet it occurred to me: all of them keep the harmonization more or less the same—the harmonization from 1609! There is something about certain carols that just feel sacred; some of them feel old, as if they were sung by the angels themselves. This carol encapsulates the timelessness of good music, but also the timelessness of a good God. I remember reading the book of Isaiah as an adult and realizing that it was written way before the birth of Jesus. This knowledge made hope spring up in me and I remember thinking: “Maybe it was true...”. Suddenly the whole Bible seemed to glow with Jesus. This carol reminds me of the way our faith transcends time and place, from Jesse to Jesus, even to this moment here, as we sing again of His coming.

Click here to listen.

Prayer: God of all times and all places, bless us as we remember your Son’s birth again. Make this Christ- mas different; help us to more truly understand all that Isaiah foretold. Help it become real to us, like a bright flower blossoming in the winter of our hearts. In the name of Jesus we pray. Amen.

—Merideth Hite Estevez

In the Bleak Midwinter

Tuesday, December 4, 2018

“In the bleak midwinter, frosty wind made moan, Earth stood hard as iron, water like a stone; Snow had fallen, snow on snow, snow on snow, In the bleak midwinter, long ago.

What can I give him, poor as I am?

If I were a shepherd, I would bring a lamb; If I were a Wise Man, I would do my part; Yet what I can I give him: give my heart.”

—Christiana Rossetti

“He did not withhold his own Son, but gave him up for all of us, will he not with him also give us everything else?” Romans 8:32

“In the Bleak Midwinter” means Christmas to me. I grew up in upstate NY where Christmas day often was white and cold and rather bleak. Gone were the leaves of summer, the crops in the field, and the rushing waters of the Susquehanna River. In their places was a monotone landscape waiting for the warmth of spring and the hope of new life. Verse four especially hits home. When I was a child, I loved opening my gifts, the favorite of which was one from a friend of my grandparents who gave each of us siblings a gift. She always seemed to choose special things for each of us, even though we saw her only a couple times a year. She was generous even without being present for the day. After the gifts were opened and we moved on to eat Christmas dinner with extended family, the little gift remained in my thoughts. They were small, unexpected, and lasting. Isn’t that how Jesus came? A baby. Tiny. A gift to the shepherds watching their flocks by night. Unexpected. We don’t have to be wealthy with brightly colored gifts piled under the tree and large post-Christmas bills to celebrate Christmas. Listen to Jesus’ words and give him your heart and time. This doesn’t cost money but promises a never-ending gift for the rest of time.

Click here to listen.

Prayer: Lord God, we give you thanks and praise for the little gifts we receive daily. Help us to see each as special and worth sharing with others. In Christ’s name we pray. Amen.

—Diane Olin White

Don’t forget to check out our specially curated Lumina Arts @ Grace Advent Playlist with each day’s selection and bonus tracks. Sign up here to receive this devotional daily in your inbox.


The Holly and the Ivy

“The holly and the ivy,

When they are both full grown,

Of all the trees that are in the wood, The holly bears the crown.

The rising of the sun

And the running of the deer,

The playing of the merry organ, Sweet singing in the choir.

The holly bears a berry,

As red as any blood,

And Mary bore sweet Jesus Christ For to do us sinners good...

The holly bears a prickle,

As sharp as any thorn...”

—Traditional British Carol, 19th Century

“Then the governor’s soldiers took Jesus into the Praetorium and gathered the whole company of soldiers around him...and then twisted together a crown of thorns and set it on his head...then they led him away to crucify him.” (Matthew 27; adapted from verses 27-31)

It seems strange to begin a the season of Advent with a passage at the end of the Gospel of Matthew, dealing with Jesus’ crucifixion, but this harkens back to at least the 4th Century. In Europe, where this carol originates, the holly played an important symbolic and practical purpose even before Christianity—in the dead of winter, the evergreen reminded people of the good times to come—spring—and its colorful berries hold through the winter, showing vitality. As pagans became Christians, they took meaningful symbols like the holly and saw them through the lens of the life, death and resurrection of Jesus Christ. The holly’s berries came to remind them of the blood shed by Jesus, to save them from the “winter of sin” and get them through to the “spring of resurrection.” The holly’s pointy leaves lent its name, “Christ’s Thorn,” referring to the crown of thorns placed on Jesus. Early Christians viewed Christmas through the lens of the cross, the mystery of Emmanuel—God with us—born at Christmas, born to die, so that sinners might live, redeemed as the saints of God. At Christmas, we see the gentle child, who is also prophet, priest and king. And the world would never be the same. This carol connects this story in a sweet manner, rich with deep and ancient meaning—the mystery of a God made flesh.

Click here to listen on Spotify.

Prayer: God of holly, ivy and the whole world, this Christmas, help me to welcome the Christ Child into my heart, that I may reflect in wonder on the mystery of Christmas, and the joy of my salvation and hope for new life, through Christ’s sacrifice and resurrection. In Christ’s name I pray, Amen.

—Rev Edwin Estevez

(Don’t forget to check out our specially curated Lumina Arts @ Grace Advent Playlist with each day’s selection and bonus tracks. Sign up here to receive this devotional daily in your inbox.)

Hurry up and wait

Sing we now of Christmas

Advent is a time of waiting. In the mania of all that the Christmas season has become, it seems impossible to make time for anything, much less to practice this waiting for Jesus’ birth. This advent Grace Church UMC and Lumina Arts Incubator have created a special interactive devotional to help us make space and time for the spiritual practices of prayer, scripture study, and general quiet time with God during the most wonderful (i.e. hectic) time of the year.  

I’ve written about it a lot— through Lumina Arts Incubator, a ministry of Grace Church, I have spent time working with artists from all different walks of life, who identify all over the spiritual-religious spectrum. What I love most about this work is watching people connect with their creativity, and exploring together how that intersects with spirituality. We hold weekly small group workshops around Julia Cameron’s “The Artist’s Way” that posits God as an artist and, poignantly, that God loves artists. This devotional brings together beloved carols with Scripture, a celebration of how artists call us closer to Christ through poetry and music, and is written by the faith community of Grace Church, including our Artist’s Way groups.

Starting on tomorrow, the first day of Advent, I will be sharing a post each day. I encourage you to join me and our community, as we find time each day to spend in quiet solitude. Each entry will include a carol and scripture excerpt for each day, followed by the short devotional. Click the “listen here” link to listen to a specially curated recording of each carol on spotify. You can follow the Lumina Arts @ Grace Playlist on Spotify here for bonus music.

Following the listening session, close with a prayer, either the one printed at the bottom of each day’s entry or a prayer of your own.

As the little-known Wexford Carol says: “Good people all this Christmas time/consider well and bear in mind/what our good God for us has done/in sending His beloved son.” It is my prayer that this devotional will help us all do that, to create space for the tiny child, born again in our hearts, here to save the world. What have we been waiting for? 

 

 

Thanks

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Listen

with the night falling we are saying thank you

we are stopping on the bridges to bow from the railings

we are running out of the glass rooms

with our mouths full of food to look at the sky

and say thank you

we are standing by the water thanking it

standing by the windows looking out

in our directions


back from a series of hospitals back from a mugging

after funerals we are saying thank you

after the news of the dead

whether or not we knew them we are saying thank you


over telephones we are saying thank you

in doorways and in the backs of cars and in elevators

remembering wars and the police at the door

and the beatings on stairs we are saying thank you

in the banks we are saying thank you

in the faces of the officials and the rich

and of all who will never change

we go on saying thank you thank you


with the animals dying around us

our lost feelings we are saying thank you

with the forests falling faster than the minutes

of our lives we are saying thank you

with the words going out like cells of a brain

with the cities growing over us

we are saying thank you faster and faster

with nobody listening we are saying thank you

we are saying thank you and waving

dark though it is

 

W. S. Merwin, 1927

#joynotfear

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“Do not be anxious about anything, but in every situation, by prayer and petition, with thanksgiving, present your requests to God. And the peace of God, which transcends all understanding, will guard your hearts and your minds in Christ Jesus.” (Philippians 4:6-7

No one told me being a mother meant spending so much time thinking about death.  I remember my own mother telling me she had developed an irrational fear of flying once she had kids. She flew for years as a young person—a carefree jet-setter—and then she had my sister, and flying was suddenly her greatest fear. As a kid I used to think this was silly. Our family took a lot of long car rides because of it. Now I understand completely. Although my own maternal preoccupation with death manifests itself in other ways.

Scary thoughts” are a common symptom of post-partum depression, I recently learned. In my mom’s group, many have shared that they have them, to varying degrees. I do not think of harming myself or Eva, but I do have fearful flashes of bad things happening. It’s just a few steps above worrying. I have flashes of her falling off the bed or a car jumping the curb, images of going into her room after a long nap to find she’d stopped breathing. I usually greet these thoughts with (per my therapist)— “Hello there, I see you, scary thought. Go away. We are safe.” And then I quickly say a prayer. I pray to God to protect her.

I know people who’s babies have stopped breathing, who have been in terrible accidents in front of their eyes, parents who likely prayed that same prayer. My father used to say, “The greatest tragedy is watching a parent bury their child.”

Not as scary, but still terrible, are the thoughts of my own death. I’ve gone down the rabbit hole of thinking how long the milk stash in the freezer would last if I didn’t come home. I’ve thought through the details of who would help Edwin take care of Eva (aka how soon could my mother-in-law get there.) I do not have thoughts of taking my own life, but do find myself contemplating the reality that it could be taken from me at any moment.

These thoughts make me shudder. I haven’t felt they were serious enough to seek medical attention, beyond therapy, which I enjoy doing anyway. They don’t keep me from living my life normally. Honestly, I just figured they were par for the course, when you love someone so much. It does feel good to write about them.

Yet, today I have officially decided to let these thoughts make me grateful instead of fearful.

Truth is, these thoughts have taught me an important lesson: there are a limited number of days we get together, Eva, Edwin and I. Every time the sun goes down, another one of those days is gone. I do not want to spend those days worried and fearful.

Making the most out of every moment is not easy. Sometimes the days are long and the nights even longer. Sometimes it feels like an unbearable weight on my chest, having someone be so dependent on me. And, let’s be honest, the chances of something at least a little scary happening are pretty great. Children fall, no matter how closely you hover. And eventually I will have to leave them. (God-willing that is a very long time from now and it’s me and Edwin who go first. Lord, hear my prayer.)

I’m so grateful that my baby was one of the ones that got to live in the first place, that we have all we will every need and then some. I am thankful for this day, which has been a very full day of mothering. This attitude of gratitude does not mean everything is always sunshine and rainbows, but it centers on the fact that this day is one of the days we got to spend together, and that makes it good.

I will not let fear steal my joy. I will not let fear steal my joy. I will not let fear steal my joy.

Add this to the list of things Eva has taught me.

If you don’t read that verse at the top carefully it sounds like Paul is saying, “Don’t worry, just pray and everything will work out fine.” But I’m reading it with more nuance these days, as a mother. We present our requests to God, and with those requests we give thanks for whatever response God provides, before God provides it. And man, is that seriously hard to do.

But what else can we do? Stay off planes? Lock up our children so they will never be hurt? Lock up our hearts so they’ll never be broken? 

What stops us from seeing God as trustworthy, I believe, is that our prayers are not answered when or how we want. And, trust me, I do not know any more than you do why there is so much suffering in this life. (I plan to ask God that as soon as I get an interview.) But I do know what I find compelling about the God of the Bible— that that God knows suffering, that God knows what it’s like to lose a son, that God promises to never leave us. I want to believe these promises, to fully trust God to work it all out for good. I want to give up all my anxiety and take joy in all the blessings, every moment that I’ve been given, now until my final day.  

This peace that Paul speaks of at the end of the verse, I thank God it will “guard our hearts.” Loving that fiercely, that joyfully, with such abandon... I’m going to need a helmet.  

Wander where I wander

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Today we are traveling—one of my favorite things to do. I wasn’t planning on writing a post, and then I started feeling that familiar pull, that urge to reflect and then click “share.” So, I did want to send something small, a postcard from the road. Don’t worry, I am not driving.

This ritual of blogging on Fridays does me so much good—it feels cleansing and therapeutic to write, and yet, funnily enough, it feels less like satisfying a longing and more like opening a wound. And how can opening a wound feel good? It occurred me today that being heard and known, feeling things deeply—not alone but in community—that’s what writing blogs and playing music do for me. 

One of my favorite poems came to mind. (For those longtime readers, you may remember I originally shared it here.)

The “longed for beauty” this poem tells of is at the heart of what I want to write about, of what I try to call to in my music. Music is the gateway to our deepest memory, to the healer of our wounds, a siren-call to the eternal.

Music

By Anne Porter

When I was a child
I once sat sobbing on the floor
Beside my mother's piano
As she played and sang
For there was in her singing
A shy yet solemn glory
My smallness could not hold

And when I was asked
Why I was crying
I had no words for it
I only shook my head
And went on crying

Why is it that music
At its most beautiful
Opens a wound in us
An ache a desolation
Deep as a homesickness
For some far-off
And half-forgotten country

I've never understood
Why this is so

But there's an ancient legend
From the other side of the world
That gives away the secret
Of this mysterious sorrow

For centuries on centuries
We have been wandering
But we were made for Paradise
As deer for the forest

And when music comes to us
With its heavenly beauty
It brings us desolation
For when we hear it
We half remember
That lost native country

We dimly remember the fields
Their fragrant windswept clover
The birdsongs in the orchards
The wild white violets in the moss
By the transparent streams

And shining at the heart of it
Is the longed-for beauty
Of the One who waits for us
Who will always wait for us
In those radiant meadows

Yet also came to live with us
And wanders where we wander.

"Music" by Anne Porter from Living Things: Collected Poems. © Steerforth Press, 2006

Hello, darkness, my old friend

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You have taken from me friend and neighbor—darkness is my closest friend. (Psalm 88:18)

They are tearing down the building across the street from the church. I’ve never really noticed this structure, that is, before I started seeing it’s insides from the outside. Living and working in the city does this to you. You can be surrounded by things you never see until you can’t not see them. The second floor room in this picture, with the paper towel dispenser by the sink, I find it particularly heartbreaking for some reason. I’m not sure why—maybe it’s because all the news lately, the feeling that everything seems to be falling to pieces before our eyes. This building seems like a victim of violence, as we witness this ripping apart of a space that someone once inhabited. Doorways that people hovered in as they waited for an answer to a question, walls on which hung things that were beautiful or meaningful, stairwells where people could sneak out to lunch early. (I think it was an office building.) Of course, I’ve never stepped foot inside—I have no idea what kind of people inhabited it or what shape it was in to garner the demolition or what new thing is planned for that lot—but somehow watching it be torn apart, brick-by-brick, feels painful right now. 

When construction sites start to make you feel emotional, it might be time to pray.

It occurred to me, as I was reflecting on this demolition project: how we build things up and tear them down, how capable we are at leaving marks on this planet, on each other, and how God might feel about that. In this world of disposablity and constant change, I wonder: is it too late to take care of this place, of each other? With so much lost, so much broken, how do we do that?

Somehow newness became synonomous with hope in our culture. We’ve all experienced the feeling of unwrapping a new phone, for example. Are you ever slow to take off the plastic film protecting the screen? Do you save the perfectly sized box it came in, even though it has served its purpose? You know you are going to have to unpackage it and get to using it, regardless of your fears of screens cracking and permanent scratches you’ll soon leave on it. And yet, what gives you solace if you do drop it or lose it or damage it beyond repair? There are more and better phones, to be had...for a low monthly fee of ____.  

I imagine God with the shiny new earth spinning in the cosmos, protective film just removed, not a single leaf out of place. I believe that God knows that handing it over to us means its demise. Slow and subtle at first, but faster and faster (it seems these days) God’s beautiful creation is ripped apart—there are carbon dioxide in the atmosphere, white supremacists shooting at synagogues, towers tumbling to the ground. But God gave us this planet anyway; God gave us each other. We seek meaning in office spaces and on the internet, in churches, mosques and temples, and we manage to sometimes get along well enough to plant gardens and build cities. Sometimes we don’t and innocent people die. We are ripped open. It feels irreparable, permanent, scarring. 

I re-read Psalm 88 this week, because I remembered it was one of those lament Psalms that can help in times like these. Do you ever dread the sweetness of the Bible in moments of suffering? When you’re in pain, the verses like “The Lord is my light and my salvation, whom shall I fear?” (Psalm 27:1) or “Though I walk through the valley of the shadow of death, I will fear no evil.” (Psalm 23:4), can feel sacchrarine-sweet and empty. It can leave one asking really hard questions: “So, if this is true, where were you, God?” Or “Why would you let that happen?” Even the lament Psalms always seem to be turning hopeful by their end, sometimes before I’m even ready. 

But here’s what I remembered this week: Psalm 88 does not finish with hope. The last verse is at the top of this post: “You have taken from me friend and neighbor—darkness is my closest friend.” Mic drop. This I can stomach. The fact that this Psalm is in The Bible—a Psalm full of quite colorful language of complaint and anger directed at God, and placed along with all the hopeful ones—this tells me that God can handle our stuff in these moments. We don’t have to censor our prayers. We can cry out in questions, frustrations, doubts, anger—God can handle it.  

There’s no way we can repair all that is broken. There is not a low monthly fee we can pay for a new planet or a way to bring all those who have died back. But, in these times, I find it consoling that we have a God who weeps with us and doesn’t smite the honest Psalmist. The Prophet Isaiah said, “He was despised and rejected by mankind, a man of sorrows, acquainted with grief.” (Isaiah 53:3) In my faith tradition, Jesus is referred to as the “Man of Sorrows” and to know that he was sad and full of grief, and at the very same time, full of grace, truth, and mirth—that’s one of the biggest reasons I choose to follow Him. He’s real. He does care, enough to cry and enough to die (even when it is we who have killed him). He is as disappointed as we are at the condition of things down here. 

When we are ready for hope, it is waiting for us. (Spoiler alert: “Light shines in the darkness and the darkness has not overcome it.” John 1:5) Maybe it would be more palpable if we really understood it for what it was. Maybe when we read of God “making all things new” it will be less like opening a new iPhone and more like watching a building be razed to its foundations, and rebuilt across the street. It will be a newness found through healing, and healing can be arduous work. Our faith makes space for the important and impossible process of grieving, saying goodbye, and letting go. It makes space for piles of ruble and empty chairs at family dinners. We can ask God to hurry to make things new while we, in the same breath, cry with sobs deeper than words about the loss of all the old. That’s where I am right now, how about you?

For Eva

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“...write them on the tablet of your heart.” Proverbs 7:3

My dearest Eva, 

I’m not even sure if the internet will be a thing when you’re old enough to read this. Regardless of whether or not you actually ever do read these words, I feel having them outside of my heart and onto this screen helps me to hold them close, to remember them myself. 

There are lots of things I want for you, but recently I found myself dancing at a wedding of two very joyful people, and I was missing you while you were home with Abuelita. I got to thinking about some of the things I want for you as you grow up, some things I’d wish I’d known myself, and so I thought I should write them down.  

1. I want you to remember growing up in a home that was full of music and dancing.

2. I want you to love your body. 

3. I want you to expect the best from people and be compassionate when others fail you. 

4. If you’re called to marriage, I want you to choose someone who makes you laugh. 

5. I want you to know that we are sorry that we’ve damaged this beautiful planet.

6. I want you to know you were named after someone people call “the first woman,” someone created in the image of God. Her story is a complex and beautiful one, just like yours will be.

7. I want you to know you were also named after another strong woman—someone brave enough to leave everything she knew to follow her heart (and her mother-in-law) into unchartered territory, because she believed it to be the right thing to do. You were named after an immigrant—like your papa’s family—Ruth was an outsider, and a woman from whom Jesus decends. 

8. Speaking of immigrants, your own family came to this country in search of a better life. They worked hard, open their doors and hearts to others in need, and never stopped believing in all that America had to offer and what they could offer America.  I want you to be brave enough to take risks, but humble enough to see that it’s not just about you.

9. I want you to remember your parents loving each other, in good and in bad times, like Deedee and Baba.

10. I want you to study music for many reasons, but most of all so you can feel what it’s like to play great music with friends when you’re feeling low. 

11. The world will tell you that the goal is to be happy, but I want you to be more than happy—to choose to have joy.  

12. I want you to know Jesus, but not exactly the Jesus I know, the Jesus that you find, finding you. 

13. I want you to fall in love deeply when you’re old enough, but never lose yourself in vying for attention from others. 

14. I want you to find your validation and sense of self-worth in who God says you are, instead of who others say you are.

15. When people say you can do anything or have it all, I want you to know that they are wrong. Choosing one path means leaving another and that’s ok.

16. Similarly, I want you to know that your choices matter, and yet this life is not ultimate.

16. Lastly...for now...I want you to know something I’m still trying to understand here at age 34— something that is becoming more real to me everyday— true religion is not about following rules, but following one law—the Law of Love. Loving God, loving yourself, and loving others.  

Since I became your mama, God is teaching me something deep and wide about this Law. I long to love you well, to leave you each day sensing, feeling, knowing God’s love and mine.  These things are written on the tablet of my heart and now here I am (on another kind of tablet) writing them on the internet. 

I’m gonna let it shine

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“You are the light of the world.” Matthew 5:14

Folks often ask me what Lumina is all about and why, as professional oboist, I would want to start working around the topics of arts and spirituality at a church. I’ve been reflecting on all we’ve done over the past 2 years—all the artist’s way groups, art loops, book clubs, works of art commissioned and shared, prayers prayed, people seen and (hopefully) heard, deep conversations had—and I’m feeling more blessed than ever by this community that we are forming. 

Here’s an excerpt from our “about” page on the website that I wrote in 2016:

“As a professional oboist, I am always in pursuit of the most beautiful tone. We instrumentalists spend our lives attempting to mimic the human voice, and I must say this is astonishingly simple on some days and perfectly impossible on others. Yet, even when I was only beginning to be serious about practicing oboe, I knew: when the right music, the perfect reed, and the stars aligned the instrument had the capability to soar and sparkle, to speak novels in a single interval, and to be the "refuge" that music could be, as Maya Angelou wrote. This made the tiresome pursuit of beauty easier, because it suddenly involved something outside of myself. What was that mysterious force that seemed to collaborate when all was going well?  Something in it heals and soothes me as I play, perhaps more than any audience member, however evasive it may be.

We artists have this privilege. We stand on the precipice of the mystical.

Some have called this force God. Others call it spirit, flow, Yahweh, muse, inspiration, genius. (One of my students calls it The Force, for you Star Wars fans out there!) My tradition calls it the Holy Spirit. Whatever the name that resonates with you, this Collaborator in our artwork is separate from us, the artist. We can't take all the credit if things go right or the blame if things go wrong! From this place we are free to shine brightly, with a sense of gratitude and wonder. (I am greatly indebted to Elizabeth Gilbert and her amazing TED talk on this subject.)

I fear the average artist today lives as a slave to his or her craft, rather than partaking in a joyful pursuit of that mysterious and elusive force which collaborates with us. I am eager to incubate under the light of it, no matter how different our traditions or language for these spiritual matters may seem.”

If I’m honest, looking back to where we began, it was me who felt like a slave to my craft. Remember: I started the first Artist’s Way group because my creative impulse needed healing. And I must say, incubating under the light of the great Collaborator has left me shining a sympathetic shimmer, as impossible as that seemed at the time.

As I continue to open myself up to all our Artitst God can do—from a simple synchronicity, to big inspiration, forgiveness, healing, and joy—I feel my artistic practice resonating with this pulsating glow, as it starts to align (or realign) with whom I believe God created me to be. And it was exploring all these questions, even—especially—the hard ones, in community with others (i.e. being vulnerable) that has lit and continues to light my artist’s way.

After two years of working with artists of all disciplines, socio-economic backgrounds, and spiritual standpoints, I believe, more than ever, that we artists are a special type of torch carrier, light bearer. We may just light the path for ourselves or a single person for a time or we may use it to expose injustice that lurks deep within the darkness. Even when we experience and consume great art we are contributing to this amazing project of brightening this place up. 

I find myself feeling more privileged than ever to stand on the precipice of the mystical—especially to stand with so many brothers and sisters who carry the torch when my arms are weary, and who, I realize now, are the light of the world. 

I used to feel a little nervous (and to be honest, resentful) about Jesus asking me be the light and to “let my light shine,” like a city on a hill.  “Easy for him to say,” I thought, “Being God and all.” I was forgetting that the Source of that Light was the one providing the energy behind that endeavor, not me. So, just like our creative inspiration, we can’t take credit when we shine brightly or feel like failures when our wick is smoldering. In fact, we can live in God’s promise to never let that flame extinguish (Isaiah 42:3), and take it from me: asking a fellow traveler for a light—if you’re willing to set down your ego and be vulnerable— can lead to a blaze you’ve only ever dreamed of. 

 

Erasing Margins

A mosaic created by Jamie Hutchinson, a member of the Creative Vision Factory and our Artist’s Way Creative Cluster at Grace Church. 

A mosaic created by Jamie Hutchinson, a member of the Creative Vision Factory and our Artist’s Way Creative Cluster at Grace Church. 

“Looking at his disciples, he said: "Blessed are you who are poor, for yours is the kingdom of God.’” Luke 6:20

I should have learned by now that when Jesus makes statements like that, he doesn’t often mean what I think he means.

When I started working at Grace Church and began Lumina, I was longing for a place to explore my feelings about creativity and spirituality. I had come from many years of frantic hustling—trying to make it in the world of classical music and academia, feeling empty and burnt out, wondering whether or not my work connected to my faith at all.

I found myself reading “The Artist’s Way” which takes on these exact questions. Through the church, we started the first Artist’s Way Creative Cluster, which brought anyone who called themselves an artist into community each week to discuss and wrestle their way through Julia Cameron’s guided tour of their soul. It’s a tough book, albeit healing and formative. The book calls the reader deep into their past to discover (and attempt to heal) the emotional wounds that may be affecting their creativity and freedom today. Yet, the book has this ability to call you into the future as well—to bring your attention to your dreams and all that your “artist child” wants to express and explore.

Sitting around the table with that first group was inspiring, but what was about to happen would leave me standing on holy ground. Being new Wilmington, someone from that first group introduced me to Michael Kalmbach, director of Creative Vision Factory, a place (right near the church) that provides individuals on the behavioral health spectrum opportunities for self-expression, empowerment, and recovery through the arts. It’s this bustling peer-run art studio where members can come and make art, receive personalized instruction, and even participate in public art projects like building mosaics throughout the city. When we were due to start the next Artist’s Way Creative Cluster, I decided to reach out to Michael and folks at the Factory to see if anyone there would be interested in joining.

Soon that Creative Cluster was 15 strong. I’ll never forget pulling up twenty minutes before that first class to find 3 or 4 people outside of the church with suitcases and plastic bags full of all their earthly belongings. I quickly learned that those who are houseless often show up at unpredictable times. You would too if you had nowhere to put your stuff.

I’d never been in a room with a such a diverse group of people. On one side of the table was a wealthy retiree in her 60’s who’d just finished life-coach certification. Next to her was a highly tattooed recovering heroine addict. Across from them was a large man with nicotine stained fingers and a soft genuine smile who smelled like he hadn’t showered in weeks, and then there was the 50-something lady who mentioned she owned an orchard with 500 different kinds of apples.

These people looked so different from the outside, but at that table we all had one thing in common: we were artists

The discussion we had over the next 12 weeks wasn’t always easy. There was a point I hired a certified art therapist to help me as the group got bigger and bigger. I felt out of my league. I went to the group feeling so anxious. I carried the stories I heard there with me when I left—ones of abuse, mental illness, and hard times...interwoven with stories of God’s faithfulness—hope, inspiration and healing through creativity. Without fail though, I left the group each week feeling I had witnessed something truly holy. This was what church was supposed to be—we show up and are accepted just as we are, because we call ourselves Children of God. 

The group also showed me that many of the folks from Creative Vision Factory did not need to heal their creative impulse like I did. It turned out that they were far more connected to their Creator then I was, too. I had spent all this time relying on my achievements and success as an artist and yet I felt empty.

Those struggling with where their next meal was coming from had an abundance of hope and healing to offer me, and for that I am eternally grateful.

In his book, “Tattoos on the Heart: The Power of Boundless Compassion,” Father Gregory Boyle, a priest and advocate for the poor in one of the most impoverished neighborhood in Los Angeles, said, “Soon we imagine, with God, a circle of compassion. Then we imagine no one standing outside of that circle, moving ourselves closer to the margins so that the margins themselves will be erased. We stand there with those whose dignity has been denied. We locate ourselves with the poor and the powerless and the voiceless. At the edges, we join the easily despised and readily left out. We situate ourselves right next to the disposable so that the day will come when we stop throwing people away.” This Creative Cluster was the first time I had even come close to seeing the margin disappear, and it was hands down the most powerful spiritual experience I’ve ever had.

All along, I had read the scripture above and thought that God was only calling us to love and value the poor in our midst...and surely he was saying that. And yet, I’m starting to see the radical nature of this scripture’s deeper meaning. Through my experience of working with those the world considers “poor,” I’m realizing something about my own poverty, a spiritual one. For it was the folks on the margins that taught me how to really rely on God, when God is all you have. Their creativity and therefore their spirituality were their lifelines to staying clean, staying hopeful, staying alive. I had never had to depend on God like that. 

So when Jesus says “Blessed are the poor,” maybe he’s saying: happy are those who are aware of the spiritual poverty within their own hearts, as well as the material poverty around them. Happy are those who are humble enough to see their privilege and can admit that all that they have comes from God. Happy are those who see that they aren’t so different from those the world finds disposable. Happy are those who can widen the circle of compassion until the margins disappear.

With this mentality, the Kingdom of God is starting to look a lot like the Creative Vision Factory, and for that, I am thankful.  

Taste and See

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What happened once I started distributing communion was the truly disturbing, dreadful realization about Christianity: You can't be a Christian by yourself.” 

Sara Miles, Take This Bread: A Radical Conversion

In every relationship there are always those initial few weeks in which you both work hard crafting your image. Early in my relationship with my husband, I invited him over to my apartment for dinner. I really liked him, and I wanted to impress him by making him a (seemingly) effortless tasty gourmet meal. Now before your traditional-gender-role alarms go off, I must mention that I am a feminist, and I’m someone who’s found little use for old-fashioned ideas like “a woman’s place is in the kitchen” and “the way to a man’s heart is through the stomach” etc. but there was something about this relationship that made me want to prepare food for him, a man who loves to eat. It suprised me, this impulse to spend time preparing a meal for a man I admired. I pictured us enjoying it with a nice bottle of wine and great conversation. I even dreamt of us doing the dishes together after the meal!

Looking back on this evening, I was pretty “on the nose”  with my recipe choice—Ina Garten’s Engagement Chicken, which jokingly was supposed to elicit a proposal from anyone who walks into the home of the one preparing it. Of course Edwin didn’t propose that night (to be honest, he prefers salmon, as I know now), and I can’t remember who did the dishes. Flash forward a few years...married with a small child, we are lucky if we get to eat dinner together like that once a week. 

When I first came back to Christianity as a young adult, the idea of communion kind of creeped me out. Somehow, as a child, the details of the Eucharist had never really sunk in. I liked the idea of commemorating Jesus’s last night on earth with a big meal, but this mysterious act of partaking in the body and blood of Christ—which, by the way, we call a “celebration” but can feel like a funeral—as a new-old Christian, it mystified me and gave me pause. I wasn’t surprised to learn that the highly persecuted early Christians were accused of cannibalism. 

But lately the idea of communion and its meaning have been expanding for me. In his book Mere Christianity, C.S. Lewis talks about how the fact that it is through the sacraments of our faith (that is, the things we do) that the spiritual becomes the physical.  He says, “There is no good trying to be more spiritual than God. God never meant man to be a purely spiritual creature. That is why He uses material things like bread and wine to put the new life into us. We may think this rather crude and unspiritual. God does not: He invented eating. He likes matter. He invented it.”

I like this image of God: a love interest impressing us with a meal. Imagine God in the kitchen preparing food for you, calling you to remember the moment of Jesus’ humanity and his sacrificial love. When I think back on that meal with Edwin, I don’t remember whether or not the food was good, but I remember our conversation. I remember our connection. And that is what is offered us at the Lord’s Table, too. God has given us an act, which gets inside our very being and elevates the mundane act of eating to a holy one. This is an opportunity for Communion in truest sense of the word—coming together in unity, with God and with each other.

This Sunday is World Communion Sunday and Christians of every variety will all partake in the Lord’s Supper in celebration of all we have in common. It also happens to be the baptism of our little Eva, so our family is blessed to participate in two of these special sacraments in one day. 

An ordinary sprinkle of water on Eva’s head becomes a powerful symbol of her identity in Christ. An ordinary bite of bread and sip of juice become food for this journey, a reminder of a God who came to pursue us and who gives us concrete actions to experience new life in community. We can’t be Christians by ourselves, as Sara Miles reminds us. 

The image I was attempting to craft in front of my future husband—one of domesticity and easy-breezy-beautiful-Martha-Stewart living—he saw right through it, and thank goodness. Being who I really am is so much easier, and turns out he finds that person lovable. And when we come to the table to receive Jesus at communion, we can come as we are, too. Yet, at that meal, if we are lucky, we will walk away forever changed.